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#301 | |
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Mo' holla fo' yo' dolla!
Join Date: Dec 2002
Location: In a bunker in an undisclosed location
Posts: 52,694
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Quote:
Not to knock BB's talent, but I was always WAY more impressed by blues guitarists like Albert King, Albert Collins, et al. Those guys were better than BB but didn't get as much recognition simply because their business chops weren't as good. |
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#302 | |
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Mo' holla fo' yo' dolla!
Join Date: Dec 2002
Location: In a bunker in an undisclosed location
Posts: 52,694
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Quote:
Anyone who knows Trower knows he's not a technician. My argument is that Trower beats Clapton at EC's own game, i.e., tone, feel, phrasing, etc. |
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#303 |
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The Enigma Prognosis
Join Date: Aug 2003
Location: Maryland
Posts: 17,925
Adopt-a-Bronco: Bryci |
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#304 |
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Mo' holla fo' yo' dolla!
Join Date: Dec 2002
Location: In a bunker in an undisclosed location
Posts: 52,694
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#305 | |
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The Enigma Prognosis
Join Date: Aug 2003
Location: Maryland
Posts: 17,925
Adopt-a-Bronco: Bryci |
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#306 |
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Partisan
Join Date: Jan 2003
Location: Twixt Hell & Highwater
Posts: 48,814
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Really? I've always considered Trower the Michael Bolton of guitar players.
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#307 | |
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Partisan
Join Date: Jan 2003
Location: Twixt Hell & Highwater
Posts: 48,814
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#308 | |
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Mo' holla fo' yo' dolla!
Join Date: Dec 2002
Location: In a bunker in an undisclosed location
Posts: 52,694
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Quote:
![]() Don't get the analogy. I've seen Trower in concert countless times, and he's like a snake charmer with that guitar when he plays live - just hypnotizes an audience. Clapton stopped growing as a guitarist and a musician a long time ago. |
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#309 | |
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Mo' holla fo' yo' dolla!
Join Date: Dec 2002
Location: In a bunker in an undisclosed location
Posts: 52,694
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#310 | |
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Rock-N-Roll Historian
Join Date: Nov 2002
Location: W.NY.B.C.
Posts: 21,300
Adopt-a-Bronco: Floyd Little |
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#311 |
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Partisan
Join Date: Jan 2003
Location: Twixt Hell & Highwater
Posts: 48,814
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I'm sure it's subjective. When I hear Trower I think, it sounds like Hendrix and yet there's no there, there. All the notes are in the right place, obviously he's a virtuoso, but it doesn't do anything for me. Like Bolton. Sounds like it must be soulful, and yet I don't feel any soul. Sure, Clapton's time has passed. So has Keith Richard's. So has Pete Townsend's. But when they were bringing it, they changed the musical landscape of the world. It's the nature of the world to kick the mighty once they fall.
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#312 |
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lets go partner
Join Date: Oct 2004
Location: Lakewood,Colo
Posts: 41,221
Adopt-a-Bronco: Woodyard |
why is trower and clapton even being compared? two ( totally different) artists with totally different styles.
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#313 | ||
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***************
Join Date: Aug 2005
Location: Seattle
Posts: 25,433
Adopt-a-Bronco: QUANTERUS SMITH |
Quote:
... now that's just funny. I don't care who you are, that's just funny right there.Quote:
Now about guitar: I happen to play the instrument, and I play it well. I like to listen to players and evaluate how difficult and unique (or not) they play. Do you know the guitar tag at the end of Cinnamon Girl? Where he just jams and jams for 16 bars on guitar by itself? Within three lessons, I can teach any person with reasonable dexterity and a well-functioning left brain how to play that. How? Because it's an "open tuning," which means the strings are tuned differently, so when you just strum them (or bang them like Cinnamon Girl) it's a full and proper chord. You don't even need a left hand This doesn't mean Young's music is bad mind you ... it just means he's a kinda "shortcut" player of the instrument. That's all. |
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#314 |
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***************
Join Date: Aug 2005
Location: Seattle
Posts: 25,433
Adopt-a-Bronco: QUANTERUS SMITH |
Okay Roh ... a non-music metaphor: Let's say an avid car mechanic is just gushing over the performance of his '71 Dodge Challenger and it's 426 Hemi engine. He (BroncoBuff) is raving and raving about the mechanical side, while his passenger (Rohirrim) says, "what's the difference if the ride's not smooth? As long as a car gets you where you're going in comfort, who gives a frick?"
You're not a gear-head, fine. But that doesn't diminish the reality of that informed person's interest in a particular aspect of the overall subject at hand. See? |
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#315 | |
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The Kranz Dictum
Join Date: Jun 2005
Location: Tranquility Base
Posts: 29,018
Adopt-a-Bronco: MONEYBALL #38 |
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#316 |
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Rock-N-Roll Historian
Join Date: Nov 2002
Location: W.NY.B.C.
Posts: 21,300
Adopt-a-Bronco: Floyd Little |
My God........
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#317 |
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***************
Join Date: Aug 2005
Location: Seattle
Posts: 25,433
Adopt-a-Bronco: QUANTERUS SMITH |
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#318 |
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Mo' holla fo' yo' dolla!
Join Date: Dec 2002
Location: In a bunker in an undisclosed location
Posts: 52,694
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I brought up the comparison because EC and RT are both British blues/rock guitarists of the same era/generation. Both were influenced by the same American blues musicians. My argument is that RT took those influences and developed them to a greater extent than EC did.
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#319 | ||
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Mo' holla fo' yo' dolla!
Join Date: Dec 2002
Location: In a bunker in an undisclosed location
Posts: 52,694
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Quote:
Theirs, mostly - although most everyone who has a long career is obviously, to some degree, at the mercy of changing times and fashions. They stopped growing as musicians, found comfortable commercial niches for themselves, played it safe, etc. Quote:
I'm with you insofar as I'm not a fan of "shred" guitar (an approach to playing that emphasizes speed and chops for their own sake.) In fact, guitarists like Yngwie Malmsteen and Michael Angelo Battio bore the crap out of me. That said, technique and feel are not necessarily mutually exclusive. It's possible to have advanced technique and play with great feeling. You simply have to separate the boys who are just jacking themselves off (e.g., "let's see how fast I can play this harmonic minor scale sequence or three octave arpeggio") from the men who are actually using technique as a means to an end, i.e., to execute melodic, harmonic, or rhythmic ideas. (That is to say, separate the guys who are just trying to impress vs. the guys who are trying to communicate something interesting.) BTW, FWIW, I love Neil Young too. Jamming the sh*t out of "Cinnamon Girl" (like I was last night) still gets me off just as much as playing a challenging fusion tune. |
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#320 |
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Rock-N-Roll Historian
Join Date: Nov 2002
Location: W.NY.B.C.
Posts: 21,300
Adopt-a-Bronco: Floyd Little |
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#321 | |
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Partisan
Join Date: Jan 2003
Location: Twixt Hell & Highwater
Posts: 48,814
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Quote:
![]() In all honesty, when I really sat down and thought about it, I don't listen to anything of Clapton's much beyond his Yardbird, Mayall, Cream days. Pete is probably having difficulties because he deafened himself playing in front of those Marshall stacks all those years and Keith? Keith has cooked too many brain cells. There's only so much a Brazilian blood replacement transfusion can fix. ![]() Last edited by Rohirrim; 07-11-2009 at 07:38 AM.. |
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#322 |
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The Kranz Dictum
Join Date: Jun 2005
Location: Tranquility Base
Posts: 29,018
Adopt-a-Bronco: MONEYBALL #38 |
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#323 |
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***************
Join Date: Aug 2005
Location: Seattle
Posts: 25,433
Adopt-a-Bronco: QUANTERUS SMITH |
Hahaha, no ... but I've always loved Chrysler muscle cars.
The Plymouth Super Bird and (identical) Dodge Dayton 500 are the most amazing off-the-line cars ever built in America. All by themselves they forced NASCAR to change the rules.
With a 426 Hemi, those cars were so very very wrong for the street ... sick sick cars. Richard Petty won like every race he entered with those cars ... (and that was back when "stock car" really meant "stock") I think the $1 million you quoted was for one of these, not a Challenegr right? |
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#324 | |
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Life....on tap.
Join Date: Aug 2005
Location: Phoenix
Posts: 1,931
Adopt-a-Bronco: Chad Mustard |
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#325 |
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***************
Join Date: Aug 2005
Location: Seattle
Posts: 25,433
Adopt-a-Bronco: QUANTERUS SMITH |
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