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#26 | |
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***************
Join Date: Aug 2005
Location: Seattle
Posts: 25,433
Adopt-a-Bronco: QUANTERUS SMITH |
Quote:
So that's a high C you belted out there? I thought that was a harmonic note ... I guess harmonic blasts go a lot higher, eh? Sometimes they sound like the reed is gonna split. I'm not a Foreigner fan, but "Urgent" has one of those I think. I love me some baritone sax too .... you don't hear them a lot, but that can really hammer home some R&B ... for example, "When Something is Wrong" by Neville and Ronstadt. Great stuff ![]() |
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#27 | |
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A verbis ad verbera
Join Date: Mar 2006
Location: Long Beach
Posts: 32,479
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Quote:
Figure a way to find someone not so good you cant afford him. Just someone who does it on the side for no more then 25 bucks a lesson. Start with one lesson every month and see if you get into it. IE practice what teacher said to and then show him what you learned. If your doing that go every 2 weeks. If you get really into it every week. If you have even any talent it will come out faster then you think. Now I wont like I have been playing since I was 13 yrs old and I am almost 40. But really its about what you play sounding good, as opposed to being able to shred to any certain level. Playing in a band is about saying what can I do to make other guys sound better. That means not playing over there parts and understanding when your part is important (the tag or lead melody) or the backing and texture of a passage. Then when it comes to soling make sure you know what scale to use for the song and play licks that sound good. If you can't play 16th notes at the tempo then dont play them. Make simple licks and play them well, play when you are supposed to, most important play in tune, and if you tried I bet you could blow some hard with a blues band in a yr. You would just have to find guys not a ton better then you, but maybe just a little better. You will find many groups have a bunch of great players but they play so often they have no time to rehearse. More avg players just have to practice the tunes more but often play the same song. |
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#28 |
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***************
Join Date: Aug 2005
Location: Seattle
Posts: 25,433
Adopt-a-Bronco: QUANTERUS SMITH |
Cuts, download that "Shaker Song" on Limewire or somewhere .... I guarantee you'll love it.
"Altissimo," eh? I'll remember that ... Lenny Pickett too ![]() "Ten Inch Record" would be a rowdy rouser in a rowdy bar, no doubt ... save it for a late set. Man, I freakin' idolized Toys in the Attic when I was a kid. |
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#29 | |
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A verbis ad verbera
Join Date: Mar 2006
Location: Long Beach
Posts: 32,479
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Quote:
Well its hard because people use different terms for harmonics. For guitar players they will sort of mute the string and pluck it and it goes higher, they call it a harmonic. Still though its a note. Everything can be boiled down to that would be an F or a G at this point on the staff, for that instruments key. For sax players we have what we call Multiphonics. Its sort of same thing were you can get different sounds out of alternate fingerings, and then change the pitch based on your throat. Now altissimo also done with alternate fingerings, and some people call that technique harmonics. It also is done by using a fingering that is not designed on the sax. Also every sax is different which is why it is maddening. What young players fail to realize is the fingering is only a small part of it. It's actually all done in your throat, raising your tounge to speed up the air. So while you tounge speeds up the air, and your throat opens for air, but at the same time uses muscles developed there to squeeze the note to the higher level. But hitting actually pitches that are in the scale is not easy. You will hear young players squeeking away because they just dont have the muscles developed yet to sound good and control a piece of cane that like you said sounds sometimes like it will split. Finding good reeds like an obsession with sax players, although I have been broken of that curse through counseling. Thanks for even indulging me with some banter on the saxophone. |
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#30 | |
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A verbis ad verbera
Join Date: Mar 2006
Location: Long Beach
Posts: 32,479
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Quote:
We have a lot of in your face closer type songs. We just roll through them lol. We do have a couple mellow jazzier tunes like Bozz Scags T Bone Shuffle, we like to open with that gives a chance to warm up. But then its just like this.......Soul Man, Mr Pitiful, Hard to Handle, Let The Good Times Roll, Sweet Home Chicago, Messin w/Kid, etc etc...then we will play like one slow song ray charles etc... then back to 10th ave Freezout, Domino, Wild Night, SHaky Ground.. we do alot of non blues that we feel is bluesy or soulful so Van Morrison we love. My favorite singers are Otis Redding, Ray CHarles, BB King, Van Morrison and we do a few of each of them. |
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#31 |
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A verbis ad verbera
Join Date: Mar 2006
Location: Long Beach
Posts: 32,479
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Listening to Shaker song right now. Been awhile, it is good stuff.
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#32 | ||
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***************
Join Date: Aug 2005
Location: Seattle
Posts: 25,433
Adopt-a-Bronco: QUANTERUS SMITH |
Quote:
Quote:
I've played in a few bands with horns and I always get dizzy when they try to explain ... f'ing thing violates my left-brain mojo! I just listened to "Shaker Song" for the first time in years ... the guys pretty wild, all kinda all over the place. The very last note as the tune fades to air is a altissimo I think ... if you listen to it lemme know. Hey, what about bari? You never see those but I luv 'em .... |
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#33 | |
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A verbis ad verbera
Join Date: Mar 2006
Location: Long Beach
Posts: 32,479
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Quote:
Supposedly Adolph Sax fled europe to the USA to show his sax but it could have just been promotional hype. The story was the instrument so different and silky sounding cornet and trumpet makers feared its competition. Just think what a guy like Motzart would have written for sax. Its not in symphonies as a rule because of the fact it wasn't around in the era of classical musics beginnings. Safe to say though guys like Motzart would have used its ability to go from sweet to dirty with the flick of your Uvula. No not vulva you perverts!!!!!!!!!!! |
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#34 |
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***************
Join Date: Aug 2005
Location: Seattle
Posts: 25,433
Adopt-a-Bronco: QUANTERUS SMITH |
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#35 | |
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Along For The Ride
Join Date: Dec 2007
Posts: 1,244
Adopt-a-Bronco: None |
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#36 |
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A verbis ad verbera
Join Date: Mar 2006
Location: Long Beach
Posts: 32,479
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#37 | |
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Mo' holla fo' yo' dolla!
Join Date: Dec 2002
Location: In a bunker in an undisclosed location
Posts: 52,694
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Quote:
Anyway, check your PM. Nice playing on that tune, BTW - really good tone and phrasing. |
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#38 |
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Mo' holla fo' yo' dolla!
Join Date: Dec 2002
Location: In a bunker in an undisclosed location
Posts: 52,694
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#39 | |
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A verbis ad verbera
Join Date: Mar 2006
Location: Long Beach
Posts: 32,479
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Quote:
By the way thanks for the compliments. Really they are nice to get. |
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#40 |
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A verbis ad verbera
Join Date: Mar 2006
Location: Long Beach
Posts: 32,479
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Wow LABF you play really nice. Very easy to listen to and a bunch of different techniques keep it fresh. Thanks for the clips I really enjoyed listening to them.
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#41 |
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Ring of Famer
Join Date: Jun 2005
Location: Colorado Springs, CO
Posts: 4,314
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Thanks for sharing- nice sound you guys got.
Now I'm trying to imagine him w/ that singing voice...™ |
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#42 |
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A verbis ad verbera
Join Date: Mar 2006
Location: Long Beach
Posts: 32,479
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He's also a DJ, just has one of the voices that can do a lot of different stuff. He's too busy with family and kids now, but out of all of us he is probably the only one who could have maybe had a career in music or acting.
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